128 Hours


128 Hours

My life in suburban Washington.

It sounds a lot more exciting than it really is.

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Tuesday, June 19, 2007

Wow. What a difference a day makes.

But, then again, it's reggae.

Yes. Wyclef Jean, Jimmy Cliff, Shaggy, opening acts, and all FREE.

D.C. can seriously rock sometimes.

The best was Cliff - during "I Can See Clearly Now" was magical just looking across the audience, but even better was the song that closed it - something that featured a lot of a cappella and drumming.

Wyclef yelled out for everyone to raise their hands if they wanted "Bush to stop the war", but he closed with a riff of the Star-Spangled Banner on a guitar.

It's hard to put into words (especially hard to put into words was this one attractive girl - nothing really special (yes, I'm aware of the irony of me writing these words) - who could dance. Really, the hips moved of their own accord and they did it exactly to the music). But it was a special evening.

1 comments

Monday, June 18, 2007

Ever had a time when everything went really wrong, and you felt a massive pit in your stomach?

I do. Well, I did. Well, I sort of still do.

Let's back up. I showed up at 89 Millimeters, a story about a few young people in Belarus. The movie's pretty disjointed - basically, the director shot 130 hours without a specific goal in mind. So there's one person that got political asylum in Germany, one girl that tries to win a dance competition, one guy that paints ... you get the idea.

The overarching idea of the film - especially given the Goethe Institut's series - is freedom. Very early, on the director makes the stark assertion that Belarus is the last dictatorship in Europe, and many of the young people whose stories he tells have a role to play in the democratization movement. What I found the most moving moments were one guy who quotes JFK's "ask not what your country can do for you - ask what you can do for your country" while the filmmaker shows him in front of an old American flag, and one point during a pro-democracy rally where people just start chanting "Freedom!" (what can I say - I'm a sucker for this stuff). Perhaps even better is a girl who dyes her hair red, worked as a journalist, and who absolutely skewers this guy and his colleagues as people with their head in the clouds.

Now, Belarus isn't on the level of tyranny of North Korea, but they do pretty well in the minor leagues. Their president since 1994 is Alexander Lukashenko, who comes straight out of Balding Soviet Bureaucrat central casting. People appeared to suffer no repercussions for talking to the filmmaker, but newspapers and universities get shut down and people get sent to prison if they get too uppity.

Ok. Scene set. Discussion question time. After a few innocuous ones (including one by me on the filmmaker's opinion with regards to international involvement, to which the rep indicated that he really didn't have one, which stunned me), one person came and gave a diatribe on how, yes, Belarus isn't free, but the United States isn't free either because Verizon's a multibillion dollar corporation (and that the 2001 election - not a typo - was stolen).

He wasn't particularly lucid. Fine. The moderator finally shot him down by saying "unfortunately for you, the filmmaker made a movie about Belarus".

Then another guy did the same thing, claiming a mile and half from here in Southeast the infant mortality rate was on par with Rwanda's (actually, a mile and a half is closer to the near baseball stadium, where most the people living there are DINKs). And that you needed a permit to protest. And that foreigners couldn't say certain things.

I couldn't take it anymore. I asked them what country they'd prefer - Belarus or here.

Then a Ukrainian - who had said that she saw bits of the Orange Revolution in Belarus - came back at me and asked why the divorce rate was so high (I still don't get this one).

There was one last question - that jokingly compared Lukashenko to Bush (the moderator responded that Lukashenko saying that the Germans had the right idea in the 1940s really wasn't the same thing) before the discussion died.

I left with the feeling I described above. I wanted to vomit, and I'm not kidding.

The way I see it, there are two potential explanations. One is that I'm wrong, and that the U.S. is one step away - if that - from becoming little more than a one-party state.

The second idea is that the rancor in this country has made people unable to make viable comparisons. I find that infinitely more troubling.

Look. Bush won a close election in 2000. Ever since, he has done some debatable things, some of which were very questionable in terms of their legality. Fine. Democracy isn't perfect. Democracy is messy and it's never perfect. Reagan had his scandals. So did Bush, Carter, Clinton, and basically every president in recent memory.

But these people really thought that present-day America was comparable to Belarus.

It made me sick to my stomach. It still enrages and saddens me now.

I remember something I wrote on September 15, 2001 to a message board - "... the United States is the best option and the only persistent beacon of freedom and hope...".

I still believe that. The U.S. has its problems, but I still can't believe what I heard tonight.

1 comments

Tuesday, May 29, 2007

Those of you who read this (when I post, that is) know that I like to have a point when I blog about longer things. Not necessarily a point - more of a specific unifying theme.

Well. The theme of this post is "life". How's that for specific?

More specifically, it's about how things don't always turn out the way you imagine - the source for thought when you're with friends and someone asks if you ever thought about this being your life when you were younger. These conversations can be very dangerous.

This one is about the length of an hour and a half. And twenty minutes. But not 140 minutes.

You see, the original point of this post was going to be about art, and how I, personally, am not an artist. It was going to start out talking about a nighttime exhibit opening/drinking party at the Hirshorn on Wolfgang Tillmans and an unjuried art exhibition called Artomatic - both of which, coincidentally, I saw on the same night (I'd actually seen Artomatic a few times, but it was interesting to see what was an amateur exhibition right before a professional one at the part of the Smithsonian that deals with modern art - like going to a Little League game before heading to a major league one).

The Tillmans exhibit was underwhelming, but what was fun was walking around the galleries (most of which were open and had very few people, as long as you weren't in the room that had the drinks) and looking at things that were truly beautiful - and that I, even if I tried for a million years, could never paint.

That gets me. Stuff like a gorgeous sunset or Uluru - no human could have ever made that, so it's folly even to try. Things like the Empire State Building or the Great Wall or the Parthenon - they took hundreds, if not thousands, of people, so you can always fault your lack of a bank account.

But art. Grab a brush and a canvas. Try to beat Van Gogh.

A conversation at Artomatic with one of the artists at the entry - it's very socialist, in that it's not juried and everyone has to volunteer - sort of clinched it. I was talking to her - her name is Jan Sherfy - and asking generic questions about her art. She said that, for one of the pieces (or maybe both), someone had made a comment about "vertical lines that never meet", which stuck with her for a long time - and she eventually painted something that she thought talked to that. I think that it's "Meeting at the Edge".

Dude, I don't see it. I don't think I'll ever see it. But she wasn't putting me on - she saw it. Some of us are artists and some of us aren't.


    (total aside - the best part about coming to Artomatic a few times was seeing this artist's work (I think the featured work was "Sex") - or, rather, a hand-drawn map detailing the real-time progress of shipping her work from Austria to Artomatic (complete with a shipping delay!). Sort of the UPS commercial from Hell - and I did finally see her work)).


Now back to the life switching point. The other part - very similar to the above tete-a-tete with Van Gogh - is music. Given that last week an entire competition devoted to this concept was concluded, this isn't a radical claim.

But the music I had heard earlier tonight was really good.

I mean really good. So good I had one of the songs stuck in my head from the time I left to the time I went into the bookstore to find something for the ride home to my walk back from the Metro to the store, to picking up some orange juice, bread, and bananas and standing in line.

Then I got stuck. Behind someone who was filling out a check and whose pen didn't work and who was taking eons (I don't understand why people use checks - if you have a checking account, you can get a check card with no cost to use). I finally switched to the self checkout, but it was too late - by the time I was out the door on my walk back, I had forgotten the song.

Maybe it's because I'm cynical, but loss always seems to me to be more lasting than gain - sort of the "Progress Paradox". If someone does something hurtful, I'll usually remember that much longer than if they do something nice.

So I'm walking home from the store - it's a 5-10 minute walk, not far at all - and I, who had been in a positively happy mood before - pulled a 180. Not only did I not have this beautiful song in my head, but I had this annoying one from the store that replaced it - and every time I tried to remember the original song, the one from the store beat it out. It was like trying to find two commercials - one a Canada Dry one from the early 90s showing penguins falling down like dominoes, and the other a Diet Coke ad featuring people saying words into the screen (one woman who said "pounce" struck me as remarkably sexy) earlier - on YouTube, being unable to, and being annoyed despite being able to find almost anything else I ever look for there.

By the time I had walked ten steps into my condo, I had finally remembered the song - "Falling Slowly" - but even after this, I was in a bad mood. So this was going to be a story about how things get really depressing.

But I went on YouTube and found the trailer for Once. And, after listening to the full song of "Falling Slowly", I just can't do it. I tried to describe the movie below, but I can't. It's not a great, life-changing movie, but it's a fun one - and until I stood in that grocery store line, it put a smile in my soul. There are parts that are fantastical, and there are parts that have happened to me.

So that's the twenty minutes. Between walking out the supermarket door and midway through this post, I switched again.

That's life.

0 comments

Monday, September 18, 2006

In an entirely unrelated note, GoFB is now FoFB (and has been for about a month).

Like I said, the blog is on life support.

1 comments

It's been a while. Let's see how much longer this lasts.

This is a story about a lot of things. But mostly, it's a story about two movies.

As always, if you're looking for discussions on Socratic discourse, you've come to the wrong place.

I first saw The Shawshank Redemption on the VCR in my family's computer room a few years after it had come out. I don't know why I decided to watch it. I do remember being completely entranced - usually, when I'm watching a movie at home, I get bored relatively easily and pause it for a few minutes. Not here. Entranced.

I knew nothing about it, and, in the end, I assumed that Andy Dufresne had been consumed by Shawshank. Was well-nigh positive about it. The fact that he hadn't been was one of the times that an ending truly surprised me.

As an aside, I usually have blog entries written in my mind before I write them. This one isn't being cooperative. Like me wanting to mention the second movie until much later. Doesn't want to write that way.

The second movie that matters here is Invincible. More on it later, but, for now, let's just say that I enjoyed the movie. So did other people in the theater. In fact, they enjoyed it so much, that, in the climactic scene, they stood up and cheered.

Now, objectively, they're idiots. It's a Disney movie. There's going to be an ending, and it's going to be a happy one. Surprise really isn't much in currency here. This is Patton rolling through France.

But they weren't idiots. In this one, even though you knew what was coming (probably), you still were happy - really happy - that it happened.

Anyway. More on Invincible later. Back to Shawshank.

There are quite a few great lines in that movie, but the best, and what I think is the crux of the movie, is Andy's letter to Red, at the end. As lifted from IMDB, it's "Remember, Red, hope is a good thing, maybe the best of things. And no good thing ever dies."

I like this line. It encapsulates the movie. But it's not the whole story. Because earlier in the movie (where I don't know), Red (Morgan Freeman's character) says "Hope is a dangerous thing. Hope can drive a man insane."

So, which is it?

When I was young - middle school, maybe earlier, my family had this book on Greek mythology. Lots of interesting color line drawings - "interesting" not in some negative sense, but interesting in the sense that they weren't really for kids, and some were designed to be a little scary.

Another aside - also in our possession was some great book about kids who found a big closet that did something like grant wishes. I specifically remember a polka-dotted elephant and some kid driving a race car. Funny what the mind remembers. The book wasn't beautifully illustrated, the way that some books, especially for kids today, are. But I damn sure remember that elephant and race car, even sharper than when I held the book.

Anyway. The thing that I remember most about that book - really the only story I remember - was the story of Pandora. If you rememeber the drawings that were scary, they came from the nasty things that Pandora unleashed upon the world - I don't remember the specific drawings, but I see them in a general sense, and they're a little scary even now.

But the part that always got me was the payoff (or The Prestige, which, along with Happy Feet, were easily the two best previews before Invincible - like I said, more coming soon!). The thing that stayed was hope. Not an AK-47 to mow down Pestilence or Fear. Just Hope.

I always felt like somebody got cheated when all they got was hope.

Now to Invincible. If you get a chance, see it. It's not Rocky or Hoosiers, but it's entertaining and a hell of a lot better than I expected. I thought that the Bill Simmons review was spot-on: especially since the attractive female character doesn't say stuff like "Stop! You're going to get hurt!" and provides some witty banter and sex appeal.

It's improbable, but it's (mostly) a true story. And it's important, because, if it weren't a movie, you wouldn't believe it.

Scratch that. You wouldn't bet on it. You might believe it. One of the best parts of the movie comes when Philadelphia is beset by rampaging Ottomans, plagues of locusts, and six or seven direct warhead hits, along with basically everyone striking. If there was a word for this part of the movie, it's "depressing". So, naturally, everyone comes to the bar where Papale worked, and they all basically cheer like raving lunatics at every mention of Papale's name. One of Simmons' "chill scenes" involves a talk he has with his father on this subject (remember the ladies in the theater? They gasped "Oh!" when his dad said what he did - it was that powerful).

So, in this case, hope (and sweat and dedication) pays off with some luck. He doesn't win a Super Bowl (it's the Eagles! ha!) but he fulfills his dream.

So now we come to Sunday (after a great sushi dinner and some kvetching from me at Sequoia's - thanks, Cheese Boy!). I go to Rhino, on the assumption that I can be a raving lunatic here (and ideally find a female who tolerates men swearing at the TV and clapping their hands when they're not even in the same area code as Philadelphia - more on this later).

The Eagles are playing the Giants. It's the same two teams that meet in the climax of Invincible. And, for three quarters, it's great. The Eagles are playing great defense, they're scoring, and it's a fun crowd - lots of E-A-G-L-E-S EAGLES! and "Ryan Howard *clap clap clapclapclap*". Even better, the two obnoxious Giants fans - including one who sort of looks like J.J. Redick - just suffer.

By the way, this violates a massive principle I have about sports bars. If you go into a sports bar that's affiliated with a particular team in a neutral city (i.e., a Steelers bar in Dallas), under no circumstances should you root for the opposing team. The exceptions are if you're in the city in question (rooting for a Cowboys opponent in Dallas), or if you're a fan of some dinky little college team with a nickname like the Fighting Scrod and the only bar that shows your team is the one that's also the unofficial gathering place for Massive State A&M. This rule becomes even more stringent when the local team is playing the away team, especially if the away team is expected to lose (Rams fans going to a Falcons bar in St. Louis to watch the game).

Why? As things began to go downhill, I began doing the traditional things that any person who is borderline crazy would - I started clapping to pump up the bar, which was located in Washington. Three girls sitting next to me (one of whom was wearing an Akers jersey) made a comment basically insinuating that I was insane. I replied that, yes, I was, but it made me feel better.

That's why you should never intrude on someone else's location to watch the game. I have very serious mental issues when it comes to the Eagles and Hoyas, and it's better for all concerned if I'm with other people who have the same problem I do. Only it's the absolute opposite of group therapy. It's like a group of alcoholics meeting at a bar for a drinking binge.

As things got worse, it was like watching something in slow motion - I could remember all the Eagles fans chanting "Scoreboard" at the Giants fans, which was tempting bad karma something fierce, and I could remember the guy who led the fight song every time Philly scored telling me after Philadelphia had returned a kick in overtime close to midfield that the game was over.

Hope was good for those associated with the Giants who never quit believing that their team could do it. Hope was great for those associated with Georgetown before the team upset Duke.

Hope can also be tortuous. The Eagles tanking in numerous NFC title games. The Hoyas during most of the Escherick era. The Orioles in 1989 - one of the best examples, where they were picked to finish dead last, and stayed in contention until they lost to the eventual Eastern Division champs (the Blue Jays) on the last day of the regular season. They wouldn't have made a movie about Papale if he lasted until the last cut. Moral victories mean little. Lots of Red Sox fans died without the team winning a championship in their lifetime.

Yes, I know that I'm using sports analogies to describe hope. I know that there are many other cases where hope is more real and more critical. In a related story, I find this guy to be a major fraud.

So the question's still there. Is hope good or bad? If your favorite team is never going to win the Super Bowl, is it better to reconcile yourself to that fact and accept fate? Or is it better to hold out the glimmer of hope that maybe they'll win, only to be disappointed time and time again?

I assume Yankees blogs never deal with this question.

1 comments

Sunday, July 02, 2006

Yes, I'm back. I don't know if this blog is destined to die or not, but it lives for the time being.

Anyway. Yesterday, I headed to the Smithsonian Folklife Festival (I also killed some time early by checking out the Freer and Sackler's exhibitions (I respond once again that including Freer's works in a museum of Asian art is twelve kinds of wrong - the "Idea of Feminine Beauty" exhibit dedicated to part of his collection basically made him look like a pervert).

I also got a quick bite from a BBQ place, on the theory that eating pork or chicken or beef or (grudgingly) soy that's been smoked for twelve hours is a very American thing to do. And don't whine that I did this at the Folklife Festival - Alberta's main option was bison burgers, which the one Albertan I know told me he had never had before going to Quebec. Food is international.

The exhibits, as usual, were geared to younger kids, but they were nice (also, during the presentations, they had one guy in the Canadian pavilion doing a fast-paced fiddle version of "O, Canada") - the only one that sort of disturbed me was Nuestra Musica, which seemed quite divisive when it described Latino Chicago and included a banner describing the marches for illegal immigrants - and why just Latino Chicago, rather than all of Chicago. There's enough Midwestern spirit to fill a few tents rather than relying on interpretive Peruvian folk groups who take the El every day.

At least they were better than Native Basketry.


But I didn't come there to see Alberta's contribution to ice hockey - I came to see Corb Lund, whose videos I had seen last week on CMT Canada (they also have a "Sportscentre" that focuses on Canadian football, third-string Orioles pitchers from Moose Jaw, and the Blue Jays), and Corb was headlining a Canada Day concert.

Anyway. I got there around 5 - the concert started at 5:30 - and got a front-row seat. A few minutes later, a guy who pretty much looked like Canada's version of Garrison Keillor sat down next to me - he was a curator of one of the exhibits, and I mentioned that I might go to Medicine Hat in the near future. So for the next ten-twenty minutes, I got a thorough overview of everything to do in the area, as well as enough for five or six day trips. The only negative was that he mentioned this place enthusiastically, which led to me referencing the columns Dave Barry wrote about it, especially the highlight of his life where he called the "interpretive centre" and someone responded with "Head Smashed In", may I help you?". He didn't like that.

It's probably best that I didn't become a diplomat.

Anyhoo. The concert.


  • It opened with Blackfoot Medicine Speaks, a Blackfoot music/dance group. Not really my cup of tea, though one of the guys looked disturbingly liked John Cusack.

  • Then came Maria Dunn, who was accompanied by fiddler Fiona Coll.

      Now's probably as good as time as ever to make an aside. Fiddlers rock. The best Folklife Festival I ever attended featured Scotland and Appalachia, both regions with strong fiddling traditions (Mali that year was a total outlier), and every group tonight except Blackfoot and Corb Lund had a fiddler. The violin is pretty much the same instrument, but it's slow and measured - the fiddle is passion incarnate. Midway through the concert, I got this great idea of some movie about a fiddling contest - not like Best In Show, but something with a fiddle-heavy soundtrack.

      I'm rambling.


    Oh, and Fiona was pretty damn hot. I was debating yelling her name a la Eurotrip (whose Fiona is played by a Canadian - and I've never seen them in the same place!), but this was a primarily Canadian crowd - they applauded when they were told to do so - so I refrained.

    Anyway. Maria Dunn is your traditional lefty granola singer-songwriter (we'll get back to this topic later), but she can sing (and Fiona can fiddle to beat all hell). Her experience is with the Great Depression and turn-of-the-century Alberta, and she started with a paean to a labor organizer called "Do You Know Slim Evans?" that was pitch-perfect and would have been a perfect addition to the O Brother, Where Art Thou soundtrack (we'll get back to this topic later, too). A variety of other songs, included a few that got people out onto the dance floor (but, once again, songs about Albertans riding trains through Alberta who are freezing even in July since they just came through a mountain pass don't really inspire a Virginia Reel). I mostly focused on Fiona.

  • After them came Cowboy Celtic, featuring a harpist (she didn't like it when people laughed at her website name). They sort of annoyed me when their second song was "Custer Died A-Runnin'" (apparently, they've been banned from Montana), but most of the rest of their songs were more upbeat and filled the floor (they included "Shenandoah").

      Other asides on dancers. First, the older you are, the better you are (there was one guy who looked five days away from a hip replacement that was just a stunner to watch). Second, there's nothing better than watching a couple who's not good but who don't care and who laugh a lot while they step over each other. Third, there are few things more adorable than a dad holding his daughter and spinning her around as they "dance".

      Finally, an anecdote from Friday night, when I went to see Jazz in the Sculpture Garden (I went two weeks ago, too - couldn't go last week since I was coming back from Canada, and I can't go next week since I plan to catch one of the New Orleans acts.

      ANYWAY. Enjoyable night, as always (I had the fortune to meet Girlfriend of Risotto Boy (henceforth GoRB) and we both got chairs with a great view of the band (in the shade - if I had stayed out in the sun much longer where I was originally, I would have had heatstroke. The only negative is that it's a total meet market, with way too many people talking in club gear and only vaguely aware that people are playing music - but where we were avoided it.

      The group was a Latin jazz one, which wasn't my style early in the night, but which grew on me eventually. Part of the reason is that, while you really can't dance to jazz music, you can dance to Latin jazz and pretty much have to - it's part of human DNA. But there was this one girl who was dancing. Slightly pretty, nothing special (about a 5.5 on the Classic Ten-point Hotness Scale, and, yes, I know that I'm no great shakes, either).

      But when she danced with her partner, she danced. Not anything special, either - no really complicated moves or anything. But she was enjoying the music and dancing whichever way it took her. At one point, she took off her scrunchie and let her hair down - one of the sexiest things I've ever seen, bar none.

      I don't partake in Flag Boy and GoFB's work at ballroom dance, mainly because I royally suck at it. But I think I know why they like it.


    For the group's last song, the harp chick did something slow and mournful, then the fiddler jumped in as they slowly speeded things up, then everybody joined in, then the fiddler solo'd.

    Wow. The fiddler should have gotten much more time than the mandolin or guitar player.

  • The next performer was John Wort Hannam, who got really snitty about mikes and sound. It's probably worth mentioning that, after JWH's performance, the guy sitting next to me asked if the numbers of people were representative - he mentioned that a concert like this in Alberta would draw 10,000. I diplomatically didn't mention that there was a lot more to do in D.C. and instead mentioned that this was an extension of the festival and wasn't billed as a separate event. At some point, JWH, just shut up and play.

    The problem is that, as I'm listening to his songs (try "Pier 21" from Pocket Full of Holes, which has this great soaring ballad feel (I see it as a great movie trailer song), and "Church of the Long Grass" from Dynamite and 'Dozers, which makes him sound like a double of some other artist - almost pitch-perfect - that drives me crazy because I don't know it is), I think I like his work the best. My favorite song of the night was "Slim Evans", but his stuff is good (and, while he was tuning his guitar, he got his fiddler to play an intermezzo that earned a lot of applause). Really good.

  • Which brings me to my next point. Missouri needs to go to the Big 10, and we need to invade Alberta and make the University of Alberta Golden Bears part of the Big XII. This is because, as the night moved forward, I wasn't listening to a Canadian concert - I was listening to a country concert. When acts from Alberta make it big in U.S. country music, they have as much bona fides as guys from Austin or Murfreesboro or Broken Bow (if somebody from Toronto makes it, that's cool, too, but we have country music acts in the U.S. that came from Ohio). It's roots music - the stuff of the O Brother soundtrack. Some people came to experience Canadian music as a cultural experience. I came to have a great time.

    Really. Just close your eyes and listen to "Pier 21". As I was metroing home, I added this to my list of Robert Fulghum moments - events where, for lack of a better word, you can lean back and close your eyes (favorite frosty beverage optional) and think that the point of life is not forever tied to human pain and suffering, and that people may, at their core, be good. There aren't a lot of these events, but they're great when they come.

  • Before Corb Lund (or before JWH - I forget) came this woman who gave Joe's Rant (go to the bottom and follow the link to the QuickTime video - it doesn't really make sense reading it until you see a Canadian do this in Full Insane Rant Mode). This is really funny, by the way, since Coors just bought Molson (even better are these other versions).

    Eh. Let them have their fun. We still have the nukes (and the Stanley Cup - and the people guarding it now have fast cars and believe very strongly in the right to keep and bear arms!).


      Anyway...

      Hi. I not a government employee, I don't have a gun, and I don't live "in D.C.". And I don't know Bobby or John or Sarah from Northern Virginia, although I'm sure that they'd kill you if you were doing 40 in the left lane. And no one would convict them, either. They'd actually applaud them.

      I have a governor, not someone who just succeeded a mayor who was imprisoned for smoking crack. I speak English, know some phrases from other languages, and I know that "y'all" has its uses as the plural of "you".

      I have a flag that shows the aftermath of a murder whose Latin translation of the words on it are "Thus it ever be to tyrants". How cool is that?

      I can't sew my state's flag on my backpack because I can't sew. I believe in free speech, not nuclear-free resolutions, Alexandria and Arlington, not Bethesda and Silver Spring, and that the Metro is a perfectly legitimate alternative to a car! (assuming it's running and there aren't trains running twenty minutes apart).

      A Wolf Trap is not used for hunting, barbeque or Thai is a great choice for dinner, and 495 isn't that hard to navigate, people!

      Northern Virginia is a great place to raise a family, retire, or start out, home to some of the worst traffic in the United States, and the best part of both the Commonwealth and the metro area!

      My name is Hayden, and I am a Northern Virginian!


  • Finally. Corb Lund, who asked for a few quick mods to the mike system and then let it be, then proceeded to play a few meditative songs before switching over, in order (I think), to "Always Keep an Edge on Your Knife", "(Gonna) Shine Up My Boots" (I really like this one), "The Truck Got Stuck", and "Time to Switch to Whiskey" (check here for clips).

    All that you need to know about this performance is that, midway through, Corb (by the way, his parents were in the audience, too - how cool is that?) indicated that he had to sign something that said he wouldn't drink onstage, but he still had to represent Alberat faithfully. People danced, but it wasn't to the vaguely-depressing songs that had come earlier - like people waltzing to Bruce Springsteen's "49 Shots" or doing a first dance to "I Will Always Love You" - but to fun music.


      Anther sidebar. The night of the greatest day in history, I went with Flag Boy and Risotto Boy to my first pro hockey game (I had been to a few Delaware games, which were fun when Blue Hens players crushed Lehighers into the boards with a fair degree of prejudice).

      The game itself wasn't that compelling, even though the Caps beat the Hurricanes - maybe you need to be closer to get hockey? - but one of the things they had that night was The Hockey Song, which everybody else and which seemed to be the way the NHL might want to consider selling hockey - as a secret club, where you either get it or you don't. Anyway. Corb played it mid-set (he even included an alternate-history version where the Oilers won the Cup), and the now-heavily Canadian people left knew every word and sang along lustily (Garrison Keillor didn't, although I think he sort of wanted to).

      While we're sidebarring, another thing - the previous night, Cheese Boy, I, and a few others had gone to see Underworld: Evolution, then headed to a Georgetown bar called The Guards (where I sang along lustily to "Save a Horse, Ride A Cowboy". I then headed to Rosslyn to take the train home. While waiting and reading a City Paper, this one slightly drunk girl approached me and started spilling out her life story, specifically a question about whether she should take one job or a different one. As we talked, she made some comment about (if I recall correctly) her student loans as the only thing that were tying her down, to which I laughed (the way she phrased it was funny) - she then remarked that I was the first person to get the joke. She left at an earlier station.

      No point, just surreal.


    So, they finished - actually, Corb replayed the chorus of "Time to Switch to Whiskey" once more, then finished.

  • I walked out of the tent into the night, enjoying the lighted Capitol on the night sky, then caught a Blue Line at just the right time. As we passed from National to Braddock Road, the conductor let us know that Alexandria was having its fireworks display that night - so I pressed my nose to the glass and caught a little bit of it.

    Nice end to the night.

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Monday, May 29, 2006

My original weekend plans changed, so I had to decide what to do yesterday - play Xbox all day, or go out and get some culture.

I compromised. Half day of Xbox, and a half-day of culture.

The half-day was deliberate. The day was planned around the National Memorial Day Concert, which started at 8. Since I'm not as young as I once was, a full day of wandering around sightseeing would kill me.

The day started with a quick walk around the Navy Memorial before I headed to the National Building Museum, where I had heard of a cool exhibit on architect's plans for New Orleans - NBM did something similar a few years back with plans for the September 11th memorial for the Pentagon as well as for innovative low-income housing ideas.

Well, it was probably a great exhibit, but it was closed for that day only. No explanation.

Day off to a ROUSING start.

After that came a quick stint at National Gallery of Art (I had seen an advertisement on Titian, but that didn't open until mid-June) and Natural History, which had absolutely nothing new. So I headed over to American History.

Oops, almost forgot. As I walked to Natural History, I followed the lead of a few other people and walked so that I could get drenched by a sprinkler (today was a "hot day" in Washington - for those of you reading in Florida, this is the type of day where you rejoice that the temperature's dropped to a reasonable level and put on a wool suit). There's a sculpture garden in between NGA and Natural History that had lots of people wading in it. A few walks around was enjoyable to evaporate some of the water.

American History did have an exhibition that did exist - one on Jim Henson and the Muppets that had really intrigued me - but it was very, very small (and right in the middle was Lance Armstrong's bike - talk about America's Attic). After a little time spent wandering around the polio exhibit (again) and seeing one on Celia Cruz (that was mainly valuable for the salsa), I cut bait and headed out.

I now had around forty minutes before the Smithsonian closed, so I headed to the Ripley Center to see what they had. Not much - something called "Amazon Voyages - Vicious Fishes and Other Riches" that was focused on kids (though it did have salsa steps and instructions on doing something called "The Stingray Shuffle" at the end of the exhibit) and Singgalot, which focused on Filipino-American relations.

Now I had three hours until the concert began. And it was Memorial Day. So. Off in the direction of the Washington Monument.

First stop, World War Two Memorial. The more I see it, the more I like it - except for those godawful Triumph of the Will-inspired eagles on the left and right sides. Memorial Day had led to people putting photographs and letters in some of the state nooks, and the view to the Lincoln Memorial seems enhanced by the gold stars and the fountain.

Ah, yes. The fountain. Despite six or seven signs that said "Do Not Wade In The Fountain", lots of people were doing it - and not just putting their feet in, but walking around and splashing. One day before Memorial Day. One Rolling Thunder attendee finally took one of the signs and placed it dead-center.

Then, the Vietnam memorial, which I've always enjoyed visiting on Memorial Day because of the variety of different items that are left (someone left a paper on someone who was killed by an IED in Iraq, and another left a Sago mine shirt, which made me wonder if they were for one of the fallen - or if the Wall had just become America's spot for mourning.

Then, wonder of wonders, some guy's cell phone rang and he answered it. While looking at the Wall (one person did it at the American History museum too, saying "I'm at a polio exhibit right now". And people ask why I don't have a cell phone and why I favor the death penalty). One day before Memorial Day. Unbelievable.

Then came the Korean War Veterans Memorial , which I like. A lot. It has the memorial for the UN participants, it shows some people walking through the brush, and it has the iconic "Freedom is Not Free", which, of all the memorials in Washington, is the one that usually gives me the most goosebumps.

I've also come to like the black granite wall, which has evolved my thinking from "another Vietnam Veterans Memorial" to something with a more ethereal quality. Vietnam was a very well-known war, and the names are etched and have a large degree of permanence and space.

Korea was less well-known, and the memorial reflects that - unlike "Mark J Hansen", which stands out clear as day, you need to look and focus at the pictures here.

Well. Time for a walk back to the Capitol. As I walked, I saw a few people dressed in costumes, sitting down around various people. Fortunately, they didn't choose me.

Anyway. Found a space (everywhere was pretty much blocked off due to TV cameras, so I chose a space with room to stretch out), took off my shoes, and just enjoyed the hour wait. Some people behind me had been victims of the costumed people, and found out that they were advertising a movie (no, I'm not going to tell you which one - no one who advertises before a Memorial Day concert with people who have so little self-respect that they dress up looking like idiots deserves free publicity).

Sitting behind me on my right was a young couple with a baby - Dad had on a Marine shirt. On my left were four women in their late 30s/early 40s, who had apparently planned for this more than Patton did the Normandy invasion - there was an extra-large blanket, a spare, smaller blanket, crackers, spinach salad, chicken, and sangria (which I was offered midway through). They seemed fun. Right in front of me was a couple who should be on a public-service announcement for making sure that you don't wear low-rise pants along with too-short shirts.

Anyway. The concert.

  • Today's emcee for the night is Joe "I Don't Get Mad, I Get Stabby" Mantegna. Good job overall (with one exception - see below).

  • Welcome to the first song of the night, the Star-Spangled Banner, sung by a mezzo-soprano (no, I don't know who - why don't you go to the concert next time). As you're standing and looking at the flag on the stage (some others look at the Capitol flag), it's pretty amazing to see the Washington Monument out of the corner of your eye).

  • Quick cut to Colin Powell, who introduces veterans and their families sitting behind him (including some people from Walter Reed and Bethesda).

  • Up next is Lee Ann Womack, who sings a really strange version of "I Hope You Dance" that's speeded up and isn't nearly as good as the original.

  • Next introduced is today's co-host, Gary Sinise. Gary is introduced as the star of CSI: New York - it's strange, he's never been the star of an iconic movie or a really popular TV show. I remember him for a really great role in Ransom, as well as being on The Stand - the "Lieutenant Dan" role never registers, since that movie was so much about Tom Hanks.

  • Gary talks to Big and Rich, who will apparently not be playing "Save A Horse, Ride a Cowboy". Instead, they're doing a song called "8th of November", about a Vietnam veteran from South Dakota. It begins with the two of them singing a cappella - great, great harmony - before it becomes generic Muzik Mafia. But that a cappella start was great.

  • Now it's time for a salute to the upcoming 60th anniversary of the U.S. Air Force, which has its origins in the Army Air Corps, where almost one in every two planes was shot down. After a vignette on the dangers of combat flying over Germany (notably antiaircraft guns), we're introduced to someone who's going to read a story of one of them.

  • No more fun anymore. The story is of a pilot who was shot down over Germany and taken to Stalag Luft Three (he escaped being mauled by farmers by being resuced being a German pilot - the farmers attacked him since the RAF had been bombing Cologne nearby pretty heavily. After being forced to march a hundred miles to another brutally overcrowded camp, he is rescued when Patton liberates the camp.

    Only, after he returns home, he finds out that his wife, assuming he was dead, has remarried and is now pregnant with her new husband's child. He describes it as the worst moment - even worse than being shot down and dropping fifty pounds - so much weight that his hips were bone.

  • Next comes an honoring of the National Guard, who have accounted for about a quarter of all U.S. casualties in Iraq. Some stories of various different Guard detachments follow (include some Pennsylvania Guard members whose work helped get Saddam Hussein - despite the request not to clap until the end, some people clap here).

  • Then comes the story of Houma, Louisiana - the "Black Sheep" and its National Guard patrol in Iraq. As Joe Mantegna goes down to a specific day, and turns things over to Gary Sinise to read a participant's recounting of events in his own words, you know it's not going to be good.

    And it's not. A patrol in Iraq that goes wrong when the lead tank is blown 150 feet into the air by an IED. The person in question calls for support, who helps to put out the fire before they find out that all seven people have been killed.

    After some discussions on his life since the event and the dreams he's had, we turn things over to Dianne Wiest, who reads the recollections of the mother of one of those killed in action. It's brutal. Absolutely and totally brutal.

  • After that comes "Taps". Everyone stands, and there's no talking.

  • The mood changes after that, as they recognize all veterans in the audience by playing the various "official songs" of each - the Marines are called out by Joe for both the Navy and Marine Corps songs (this may or may not mean that Marines count twice).

  • Time to head out. I miraculously make it into the first train that gets there with remarkably little pushing.


Ok, I still have one more memorial to visit. Iwo Jima. I walk out of Rosslyn (ran up 2/3 of the non-working staircase before my legs gave out - dumb, dumb idea). It's now 10, and dark.

I walk over to the entrance to the park, which is strwen with orange construction thingees blocking walking on the grass - apparently they planted new grass and are trying to allow it to survive.

So. Picture this. It's close to pitch black and the direct way to walk to the memorial is blocked. I walk around for a little and find a way to enter. There's one other couple there - it wouldn't be right if it was deserted - and I walk around while they're debating how many people are on the statue. I then head over to the Carillon, hoping that I can see some flags next to the graves - something that I've always been impressed by - but it's too dark. I do, however, see one guy relieving himself in the grass by the Carillon.

It's been a full day. I head back to Rosslyn and metro home.

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Wednesday, May 17, 2006

On Good Morning America tomorrow, Diane Sawyer will be interviewing celebrities like Hilary Duff, Will Smith, and Tom Cruise on dance moves you can do in front of your kids that won't embarass both of you.

I'm curious as to what Tom will say. I'm particularly curious if the move where you jump up and down on the couch is a "do" or a "do not do".

Even better in terms of overall humor value, however, is this page, specifically the unanswered question of how many people claimed fluency in "Nigerian".

Anyway. Today's rant is about medicine. You my have heard my rants about City Slickers' speech on getting old when you go in to the hospital to have a "procedure", but Dave Barry made a similar comment about knowing that you were getting old when you started discussing health problems with friends. So, since I'm old, let's let this start. I also know that none of this is really new, but indulge me.

My experience with doctors when I was younger was pretty simple - you went in for a yearly checkup, and if you were sick, you went to the doctor, got a prescription, drank lots of Sprite and plain noodles, and were better. I liked this system, notably because my parents paid for it (including the Sprite!).

As I've gotten older, this process has gradually changed. Rather than "diseases" in the sense of something that makes you stay home and watch The Price is Right for a predetermined period of time, we now have "diseases" where the body's defense system, is basically fighting the War on Drugs (see above) - progress is measured in remarkably small increments, with the actual final victory of the War on Drugs in approximately 2040, a point at which I will either a) be dead or b) wish I was when I'm still alone and blogging.

So, anyway, I have a few of these items. They're not going to kill me (unless I try really hard), but they are going to, in the immortal (edited) words of The Simpsons, require me to see my pharmacist once a month for many years. I still have whatever annoying problems in question, and medical science in the form of various doctors have told me that I'm stuck with it.

So, anyway, Rite-Aid, in a move designed to draw my ire, tried to enroll me in some "living with your disease" (which annoys me even further since "disease" strikes me as something that eventually gets fixed, whereas "condition"s (see City Slickers note above on medical terminology) don't) mail spam list, without my permission. Even worse, they required me to deal with the same evil voice that does Verizon's answering machine to get out of it - it was the same "if you like your first album/wine/wheel of cheese, simply do nothing and another will be sent to your home every month". VERY. NOT. COOL.

That's the evil one. Now here's the strange one. Remember my love for the Tuscana? Part of the reason I'm so enamored of them is that I have to buy a pair every six months. This is because my feet sweat. A lot. It's annoying since it destroys my shoes, and whenever it's humid and I have to walk a lot, I feel like I'm walking in a swamp.

Ha! Take that, TMI!

So I go to the doctor and complain, and, as always, get a solution. The solution, however, is one of those "potentially worse than the cure itself" thingees.

Well, sort of.

The way it works is, you put it on your feet at night before sleeping.

Normal so far.

But, for it to work, you have to ensure that it's not touching anything, particularly since it stains. So you need to wear socks to sleep.

Ok, that's fine.

I started this blog for a variety of reasons. One of them is most assuredly the need to occasionally discuss the parts of this world that, no matter how much you analyze them, make no sense whatsoever. Sort of the "when you can't understand the world, laugh at it" approach, so that I can pull a Dylan Thomas and rage against that which does not make sense without getting committed.

This is one of those times.

To get it to work, before you put on the sock and after you put on the medicine, and I swear I'm not making this up, you have to wrap your feet in saran wrap.

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